Indy Behind the Scenes: Eiteljorg Museum of American Indians and Western Art Walking Tour

Eiteljorg Museum Sign

Public Domain image.

One of my favourite parts of every NCPH conference is the range of walking tours, museum visits, and behind the scenes tours to local heritage sites that are setup as part of the conference.  This year I participated in a tour of the Eiteljorg Museum of American Indians and Western Art.

This session included a guided tour through the museum’s gallery space by the curators.  It also included a look at the collection storage space guided by the collections staff.  The tour included a great combination of the museum’s history, challenges, current projects, and a look forward to future gallery plans.

The Etieljorg’s collection has expanded beyond the original donation of material by Harrison Eiteljorg to the museum. However its mission remains deeply connected to Harrison Etieljorg’s initial motivation, “to inspire an appreciation and understanding of the art, history and cultures of the American West and the indigenous peoples of North America.”  I found the first floor of the Etilejorg a bit jarring – I was anticipating a museum focused on Indigenous history and art and was confronted with Euro-centric depictions of the American West, with many of the paintings including racialized representations of Indigenous communities.

The impression of the first floor gallery space was not a good one.  I felt deeply uncomfortable in the space and imagine that this uncomfortable feeling would be much worse for anyone from an Indigenous community.  While walking through this space with Etilejorg space it was good to hear that renovation plans for this gallery space are in process and the museum hopes to improve the juxtaposition of Indigenous worldviews with Euro-centric artists.  One of the curators mentioned a desire to contrast Indigenous artistic representations of self with American West perspectives and the importance of providing more of an Indigenous voice throughout this gallery.  I really hope that this happens and that a critical look is taken at the American West art that is being displayed.

On the other hand I thought the second floor “Mihtohseenionki” (The People’ Place) exhibition space was extremely well done and provided an excellent example of a space that is curated with participation from local Indigenous stakeholders. This space is dedicated to exploring the heritage and present day relatives of the Indigenous people connected to the land now known as Indiana.  I particularlly liked the emphasis on this space of portraying Indigenous communities in the past and the present – of highlighting the fact that there are still vibrant Indigenous communities and culture in Indiana while raising awareness about forcible removable from land, diaspora, and the impacts of colonization.

One of my favourite cases in the “Mihtohseenionki” section was a case the mixed beaded moccasin artifacts with a contemporary art piece done by a local artist.  The art piece was a woven basket done in the traditional style, but it was made of painted printouts of the Land Removal Act, and had painted moccasins illustrating the dispersal of Indigenous communities.  The contrast of a new art piece with more traditional artifacts provided an interesting narrative on looking at the history and relatives of Indigenous communities in a holistic perspective and the need to be aware of the present and future realities of Indigenous people.  Staff indicated that they hope to explore more contrasting perspectives like this in upcoming exhibit revamps.

The other highlight of my visit to the Etieljorg was having an opportunity to see their collections storage space.  Suffice it to say it was downright amazing.  It’s beautifully organized, has great compact shelving, and they create custom boxes for most of their artifacts.  The custom build boxes and supports were really well done and and excellent example of preservation being built into the collection storage procedures.

If you’re ever visiting Indy I recommend taking time to visit the Etieljorg – even if it is just for the second floor gallery space.

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Collaborative Archival Practice: Rethinking outreach, access, and reconciliation using Wikipedia

I had a great time at the 2017 Archives Association of Ontario conference last week.  If you’re interested in the talk Danielle Robichaud and I gave relating to Wikipedia, archives, and reconciliation work our slides are now online.

It was great to meet Danielle in person (and yay for twitter connecting us virtually long before this conference). Many thanks to all who came to our talk.  If you have questions relating to our presentation, using Wikipedia in archives, or Wikipedia editing as reconciliation work feel free to reach out to either Danielle or I.

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AAO: Wikipedia and Reconciliation

Headed to the Archives Association of Ontario conference this week? Come join Danielle Robichaud and I on Friday April 28th from 2:30-3:15pm in session 6b.  We’ll be talking Wikipedia and reconciliation and sharing some of our experiences editing Wikipedia within the context of reconciliation.

I’m really looking forward to this talk and hope to see many Ontario archives folks at AAO this year. If you’re planning to be at AAO but you can’t come to our talk please feel free to say hello during the conference.

[Edited for typo fails]

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Tours of the Shingwauk and Wawanosh Residential Schools Site

The third peice I wrote last year for Canada’s History is now up on their re-designed website.  My piece on “Tours of the Shingwauk and Wawanosh Residential Schools Site” talks briefly about the history of the Shingwauk and Wawanosh Indian Residential Schools, the range of historic site tours provided by the Shingwauk Indian Residential School, and the emotional impact which can be associated with these tours.

As the busy tour season approaches at Shingwauk I’ve been thinking a lot about the delivery of this programming and that role it plays in educating people about residential schools, colonialism, and Indigenous communities.

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Historian’s Histories Interview

Microphone

Public Domain Image

I was recently interviewed as part of the Historian’s Histories series on the fantastic Unwritten Histories site.

I am extremly greatful for the work that Andrea Eidinger does through her site and delighted to have been asked to particiapte in her interview series.  I talk about my history roots, my love for public history, and how I use a public history approach to my archives work.

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Where to Find Me At NCPH

NCH program cover

NCPH 2017 Program Cover

Next week I’ll be heading to Indianapolis for this year’s National Council on Public History conference. The agenda is filled with great sounding panels, roundtables, and workshops.  I’m really looking forward to connecting with other public history professionals and digging into some public history.

I haven’t selected which panels I’ll be attending during the conference but there are a number of events that I’m helping facilitate as part of my role on the membership committee. There are also a number of broader conference events that I definitely plan on participating in. If you’re interested in connecting during the conference I will be at the following events:

  • Membership Committee Twitter Chat (Wednesday April 19, 11:30am-12:30pm) *Virtual – join the conversation using the #ncph2017 hashtag.
  • First Time Attendee and Mentoring Connection Meetup (Wednesday April 19, 5:30-6:00pm)
  • Opening Reception (Wednesday April 19, 6:00-8:00pm)
  • New Member Welcome (Thursday April 20, 7:30-8:30am)
  • NCPH Business Meeting (Thursday April 20, 1:00-1:30pm)
  • Indy Behind the Scenes: Eiteljog Museum of American Indians and Western Art Walking Tour (Friday April 21, 8:45-10:00am)
  • Public Plenary: Making LGBTQ History American History (Friday April 21, 6:00-7:30pm)
  •  2nd Annual Great NCPH Canuck Gathering (Friday April 21st)
  • Awards Breakfast (Saturday April 22, 8:00-10:00am)

You will also likely find me at individual sessions focused on archives, Wikipedia, podcasting, and Indigenous history.

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Archives As Activism

My latest post on “Archives As Activism” can be seen over on Active History. The post explores the connection of archives, activism, and community.

It discusses the idea that archives can disrupt social norms by collecting and archiving the work of those outside of mainstream society.  The piece also dives into examples of Canadian archives who have made an effort to collect material relating to activist movements.

Occupy Vancover signs.

Occupy Vancouver signs, 2011. Public Domain image.

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Today: Indigenous Storytellers WikiThon

An Indigenous Storytellers Edit-A-Thon is being held Tuesday April 4, 2017 3 – 7 PM PDT.  The event is being hosted by UBC and Concordia is dedicated to revising and creating entries on Wikipedia for Indigenous storytellers, with an emphasis on those working in film and theatre in Turtle Island. There are on-site options for participation at both schools and there is an option for folks to participate remotely.

The event invites community members to participate locally or remotely and is also involving students from classes at UBC and Concordia.  I love the idea of making an edit-a-thon part of a class assignment or an in-class activity.  I also love that this event is lifting up Indigenous artists and Indigenous community based organizations.  Interested in participating remotely? Add your name to the participant list on the event meetup page.

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Reading: Make Roanoke Queer Again

Person holding book.

Used under CC0 license.

The latest issue of The Public Historian featured a number of great articles including “Make Roanoke Queer Again: Community History and Urban Change in a Southern City” by Gregory Rosethal. This article explores the specifics of interpreting queer history in Roanoke, Virgina but also focuses more broadly on queer community history projects, resistance through grassroots history, and interpreting urban history through a queer lens.

Rosethal argues that “queer public history projects can utilize cities as living laboratories for the exploration of the queer past” (p. 43). When discussing the history of urban environments and marginalized communities looking at places of past activism, past conflict, past meeting/social connection venues can be hugely powerful.  Similarly community experiences of erasure of flourishing can frequently be tied to physical spaces.  Rosethal uses the examples of the Make Roanoke Queer Again bar crawl and the Southwest Virginia LGBTQ+ History Project of examples of community history rooted in collecting, preserving, and sharing queer histories.

I loved this article’s emphasis on the idea of queer history being connected to physical spaces, geographic places, and as a lived history.  In many communities queer history has gone undocumented and at times is seen as non-existent or as irrelevant. Grassroots activism and community based history initiatives are one of the many ways to document queer pasts and realities – and I think that acknowledging the diversity of queer* experiences and histories is something that is hugely important when creating local history narratives.  Rosethal’s article is well worth the read if you’re at all interested in community based public history or queer history interpretation projects.

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Who Was Brian Vallée?

Last year I wrote a few posts for Canada’s History education section on their website. However because of website revamps some of that content was delayed in getting posted.  My second piece “Who was Brian Vallée?” is now available on their site.

This piece talks about Brian Vallée as an award winning author, journalist, film producer and Vallée’s work to raise awareness about domestic violence.  It also discusses different forms outreach to building awareness about the Brian Vallée’s life and his fonds held at Algoma University.  Brian Vallée’s lack of digital presence was one of the reason I initially became involved in editing Wikipedia – so it was nice to revisit and think about different forms of community and digital outreach.

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