During the month of December I am participating in #reverb14 as a means of getting my writing habits back on track. I will be altering the prompts as needed to fit within the scope of this blog. Revised Prompt: What heritage sites have you discovered this year that you love? Tell us all about them, and why you love them.
One of my favourite trips this year was to Chicago and included a number of heritage sites. The built heritage in Chicago is beautiful and I enjoyed learning about how the city developed and the mixture of architecture styles that developed as a result of continuous development after devastating fires in the city.
One of the smallest heritage sites I visited this year was the Smith Museum of Strained Glass Windows in Chicago. This unique site featured over 150 stained glass windows many of which were originally housed in buildings in Chicago. I found the contrast of the beautiful old stained glass with the modern, tourist location on Navy Pier particularly striking.
When looking up the link for this post I discovered that in October 2014, two months after my visit, the Smith Museum closed and the stained glass was all boxed up and removed from Navy Pier. The Pier is undergoing renovations and ‘needed’ the museum space for planned new attractions. At this point the collection of stained glass does not have a home. There are tentative plans to have some of the works exhibited in public spaces, but no signs of a dedicated space for the entire collection. The Smith Museum was unique in its location and was the largest exhibition of stained glass in North America, its closure is a huge loss to the heritage and stained glass art community.
I recently spent a few days in Chicago, Illinois. This is the sixth post in a series about the museums, architecture, public gardens, and art I visited while there. The first post can be viewed here.
While exploring the waterfront on our first day in Chicago we ended up at Navy Pier. The flashiness, cheesy feel, and crowded nature of the Pier didn’t appeal to me all that much. But, there is a quiet hidden gem amongst all the children running around.
The Smith Museum of Stained Glass features over 180 stained glass windows in the lower level of Festival Hall. The Museum opened in 2000 and is the first museum in the US dedicated to stained glass windows. Many of the windows in the collection were originally installed in residential, commercial, and religious buildings in the Chicago area. The windows range in age from 1870 to present and highlight a range of artistic styles. Some of the more modern pieces include a window created from pop bottles and a portrait of Michael Jordan. A PDF catalogue of the stained glass window collection can be found here.
The Richard H. Driehaus Gallery of Stained Glass features prominently within the larger Smith Museum. The Driehaus Gallery features 13 windows by Louis Comfort Tiffany. The Tiffany windows are showcased in a dark portion of the Museum and are lit with artificial light. The visual effect is well done and makes these windows standout amongst the rest of the of the Smith Museum collection.
The Smith Museum was an interesting surprise. Typically stained class is preserved in religious building or privately owned homes. Having the collection in such a public tourism place where visitors can walk right up to the glass is unique. I’ve never seen so much stained glass in one place. The Museum has done a good job of contextualizing each window and preserving the windows in a way that is accessible.