My latest post, “Growing Gardens, Growing Words” can be found over at The Covid Chroniclers blog. The post talks about my love of gardening and how the act of growing things can be used to talk about the act of writing.
Basically, I like both gardening and writing. But both take effort and time.
My latest post written with Andrea Eidinger, “Stronger Together: The Potential Collaborative Agency of Historians and Archivists” can be read over on Activehistory.ca.
The piece looks at the recent dust up around the BC archives closure and the subsequent open letter written by history departments. It argues for historians and archivists working together and listening to each other.
Photo by Hannah Busing on Unsplash
I’m honoured and deeply humbled to have won, alongside Madeline Whetung, the Canadian Historical Association Best Article In Indigenous History Prize.
Madeline Whetung’s article “(En)Gendering Shoreline Law: Nishnaabeg Relational Politics Along the Trent Severn Waterway” is a must read. Whetung examines the concept of shoreline law as a means of discussing place-based kinship ties that the Mississaugas hold with water and land and other beings with which they share territory.
My article, “Challenging Colonial Spaces: Reconciliation and Decolonizing Work In Canadian Archives” seeks to highlight existing colonial frameworks within the Canadian archival system and explore the impact of the Truth and Reconciliation Commission of Canada on Canadian archival practices.
The article would not have been possible without the guidance of the Children of Shingwauk Alumni, my colleagues at the Shingwauk Residential Schools Centre, and the advice of Skylee-Storm Hogan.
Photo by Thor Alvis on Unsplash
My latest collaboration with Skylee-Storm Hogan is out in the world. We wrote a book chapter, “Breaking Barriers Through Decolonial Community Based Archival Practice” for Archives and Special Collections as Sites of Contestation edited by Mary Kandiuk.
The chapter discusses the work of the Shingwauk Residential Schools Centre (SRSC) as a way of opposing colonial archival impulses. It focuses on community archival practices, with a look at the work the SRSC has done to engage Survivors and communities in digital spaces.
As always, I’m grateful to for the chance to work with Skylee-Storm on this and the chapter is infinitely stronger because of their efforts and insights.
Photo by Jonas Jacobsson on Unsplash
This week over on Activehistory.ca we are sharing the Material Culture Theme week I had the joy of editing. This week brings together folks who work with material culture both inside and outside academia.
The week is filled with posts on textiles, learning with material culture, family connections to making, and cultural meaning attached to objects. Go check it out.
A huge thank you to all the contributors and folks who made this week come together. You are awesome.
Active History is organizing a 2020 theme week around material culture. Modeled after the 2019 Museum Theme Week (http://activehistory.ca/museum-theme-week/) this series aims to expand the conversation about material culture and highlight the work of those studying the materiality of the past.
We welcome contributions from academics, public historians, museum professionals, makers, community practitioners, and anyone engaged in thinking about material culture and the past.
Blog posts are welcomed on a range of topics including (but not limited to):
- How can object-centred approaches to studying the past change our understanding of history?
- What is material culture? How does material culture fit within academic or public history scholarship?
- Examples of community-led approaches to material culture research and collecting
- Decolonizing approaches material culture
- Case study examples of material culture analysis
Active History posts are between 700 and 1500 words, avoid jargon, use hyperlinks over footnotes, and we encourage the use of images to illustrate posts. We also ask that the style of writing is accessible to a wide audience. Draft posts are due by February 24, 2020.
Questions and pitches can be directed to series editor Krista McCracken at firstname.lastname@example.org
New year, new post about embroidery. My latest piece, “Stitching History: Using Embroidery to Examine the Past” can be found over at ActiveHistory.ca. This post looks at embroidery samplers as a way to explore personal and social historical narratives.
Photo by Esther Ní Dhonnacha on Unsplash
My latest piece, Embroidery as Record and Resistance, can be found over at Contingent Magazine. A huge thank you to the Contingent Magazine team for their work, dedication, and innovation in creating a space for history online. My post looks at embroidery, feminist resistance, and protest.
Photo – two embroidery hoops by me.
My latest post, “Open Access Week and Publishing in the Open” can be read over at ActiveHistory.ca. This book looks at open scholarly publishing in Canada, my personal publishing ethics, and how to make your research more accessible.
My latest post “Archivists In The Movies – Star Wars II: Attack of the Clones” is over on Activehistory.ca. This fun piece is part of the Active History summer series looking at historians in film. The post looks at the representation (or lack of representation) of archivists in film.