I recently spent a few days in Chicago, Illinois. This is the sixth post in a series about the museums, architecture, public gardens, and art I visited while there. The first post can be viewed here.
While exploring the waterfront on our first day in Chicago we ended up at Navy Pier. The flashiness, cheesy feel, and crowded nature of the Pier didn’t appeal to me all that much. But, there is a quiet hidden gem amongst all the children running around.
The Smith Museum of Stained Glass features over 180 stained glass windows in the lower level of Festival Hall. The Museum opened in 2000 and is the first museum in the US dedicated to stained glass windows. Many of the windows in the collection were originally installed in residential, commercial, and religious buildings in the Chicago area. The windows range in age from 1870 to present and highlight a range of artistic styles. Some of the more modern pieces include a window created from pop bottles and a portrait of Michael Jordan. A PDF catalogue of the stained glass window collection can be found here.
The Richard H. Driehaus Gallery of Stained Glass features prominently within the larger Smith Museum. The Driehaus Gallery features 13 windows by Louis Comfort Tiffany. The Tiffany windows are showcased in a dark portion of the Museum and are lit with artificial light. The visual effect is well done and makes these windows standout amongst the rest of the of the Smith Museum collection.
The Smith Museum was an interesting surprise. Typically stained class is preserved in religious building or privately owned homes. Having the collection in such a public tourism place where visitors can walk right up to the glass is unique. I’ve never seen so much stained glass in one place. The Museum has done a good job of contextualizing each window and preserving the windows in a way that is accessible.
Following my trip to the Kilmainham Goal I visited the nearby Irish Museum of Modern Art (IMMA) that is located in the former Royal Hospital Kilmainham building. Unfortunately during my visit the main Hospital building was closed for renovations and only a small new gallery space was open. Despite this closure the grounds are beautiful and the small exhibition I had the opportunity to see was well done.
The Royal Hospital opened in 1684 as a home for retired soldiers. The building continued to be used for this purposed for 250 years. In 1984 it was taken over and restored by the government. In 1991 the building opened as the Irish Museum of Modern Art.
The IMMA gardens are done in a classical style that reflects the heritage of the site. This traditional
atmosphere is contrasted with outdoor sculptural art. The contrast highlights the usage of the space in a modern purposeful way while still maintaining elements of the long history of the site.
During my visit the only exhibition that was open was “Leonora Carrington: The Celtic Surrealist” located in the Garden Galleries. The exhibit was framed as a retrospective of Carrington’s work and featured over 80 examples of her work in a variety of mediums including paintings, tapestries, works on paper, and sculptures. Some of the works exhibited refer to Irish and Celtic lore while others explored the influence of Mexican culture. Her artwork was also accompanied by a number of examples of her written work and journals. It was interesting to see a mixture of archival material on display alongside the art exhibition.
The exhibit was organized thematically and was had interesting signage explaining the different styles and influences on Carrington’s artwork. However, the exhibit space is fairly small. During my visit there was a number of students in the building as part a formal class visit. The shear number of students seemed overwhelming in the tight space, with many of them sitting on the floor sketching as there was very little gallery seating.
Photographs by Andrew MacKay