Part of my job this week included a number of ‘other duties as assigned’ tasks. One of such tasks included assisting with cleanup of the Residential School cemetery which is on site where I work. Since I like gardening this was actually a nice afternoon break one day.
This particular cemetery was in use from 1876 to around 1970 and has staff, students, and members of the Anglican Church buried there. Following the closure of the Residential School on the site, the cemetery fell into a state of disrepair and neglect. Today the cemetery is well looked after, however years of poor maintenance and weather eliminated all the wooden markers in the cemetery and many of the stone tombstones are in rough shape.
Overgrown weeds, mossy broken tombstones, missing grave markers, and unknown boundaries are characteristics of cemeteries throughout Canada. Upkeep of no longer used or unregistered cemeteries have a tendency to become neglected over time. Additionally, the very nature of grave markers and tombstones – outdoors and exposed to the elements – make them susceptible to premature damage and deterioration.
Some cemeteries are well documented and the loss of a marker or the fading of a stone inscription isn’t a complete loss of burial information as the plots have been documented by the cemetery. However, even when burial plots are well documented often the actual inscriptions on tombstones aren’t formally recorded. Similarly if a municipality doesn’t (or didn’t) keep accurate records of burial plots if a wooden marker rots or the inscription on a tombstone fades, the information on who was buried in that location is lost.
For example, the Residential School cemetery where I work no longer has any of the wooden crosses which marked the majority of the student graves. The loss of markers was a huge loss as no formal records noting burials or plot locations have been located for this cemetery. As with many Residential School cemeteries, the number of students buried and the names of all the students buried in the cemetery are unknown.
Cemeteries and grave markers can provide an abundance of genealogy and historical information, but only if they are well documented or preserved. So what about those crumbling tombstones and loss of information through deterioration? There are a variety of different preservation tools that can be used by municipalities and other interest groups to preserve the historical information found in cemeteries.
- Document existing gravestones, especially those which are made of wood or other elements which are very susceptible to rot and other forms of rapid deterioration. Gravestones and inscriptions can be documented by using photography and written documentation.
- Organize and keep accurate burial records. This might be employing an archivist to organize existing records relating to the cemetery. An archivist can help provide order and structure to boxes of unused records. This organization will help make the records more accessible and searchable for researchers.
- It is possible to clean stone tombstones. This is typically undertaken to remove moss, dirt, and other surface growth. However, I would recommend looking into a professional providing this service (or at very least providing training on how to go about the cleaning), as it is possible to damage the stones if you use abrasive products or tools.
If you are interested in searching out ancestors or information about a particular cemetery in Ontario, you might want to begin by using Ontario Genealogical Society’s Ontario Cemetery Ancestor Search. A list of the cemeteries which have been indexed by the OGS and are included in the Ancestor Search can be also be found online.
Last week a co-worker who is currently reading up on the history of her city asked me if I had ever been interested in the town history of where I grew up. This simple question had me stumped. The majority of my life I have lived outside of town, and didn’t readily identify with a closest town. I had no real town history to speak of.
I grew up on a concession road, part of a rural township that had very little in terms of central services. The majority of the houses on my road were farms with kilometers of fields separating neighbours. How does one explore a community’s history when the vast majority of area residents live outside of what most people see as traditional community?
Rural communities are not void of history, but often these histories are recorded and remembered in different ways. Very few rural areas have written historical accounts or a dedicated ‘town’ museum. Many rural communities once had vibrant churches which recorded much of the area’s history, but with many of these churches closing due to low attendance rates that recorded history is in jeopardy of being lost.
In the case of farming communities there are years of family history tied into the history of the land. Looking at land registries and deeds of land can tell the story of a family. For example, the original McCracken homestead owned by my family was traditionally passed down to the eldest son who then carried on the work on the farm. However, if you look at nearby land records you can see that often the younger sons would buy farm land nearby, and continue to expand the family farm that way.
Stories of barn raisings, helpful neighbours plowing a field when someone’s tractor broke, and calf-cow picnics and many other stories make up the fabric of rural relations. Oral histories can provide depth to otherwise forgotten relationships and connections. Rural history definitely exists, one might just have to look beyond published sources to find it.
Architecture and design can have a huge impact on how a space is used. This is true in family homes, libraries, art galleries, museums, and buildings of all shapes and sizes. How space is configured, materials used, the amount of natural light, and numerous other factors impact how visitors perceive a heritage institution. Architectural features can also enhance or limit display and gallery space.
Architype Review has recently published issues which focus on architecture in libraries, art museums, and performing arts centres. The architecture featured in these issues varies greatly; some is very modern and innovative while other featured buildings are very simplistic and classical in style. In addition to providing great images of each structure Architype Review provides descriptive details on the space and its construction.
Some of my favourite featured heritage institutions in Artchitype Review include:
- The Safe Haven Library in Thailand. This library is part of the Safe Haven Orphanage and was built in 2009 using local materials and labour. The structure is fairly simplistic but the building was designed to meet the specific needs to the library. A great timelapse video which shoes the construction of the library and be seen here.
- The Lynda and Stewart Resnick Exhibition Pavilion at the Los Angeles County Museum of Art. The
|Wild Beast Music Pavilion
Pavilion is a single-story, 45,000 square foot structure, and is currently the largest purpose-built, naturally lit, open-plan museum space in the world. The fact that the space is naturally lit and relies upon open space is a very unique feature in the museum world.
- The Wild Beast Pavilion in Valencia, CA is a unique recital hall and outdoor performance space. The space is multipurpose and is used for instruction, enclosed concert space, and open air recital space. The numerous functions of the space combined with the visually pleasing design is what appealed to me about this particular design.
What are your favourite heritage institutions with unique architecture?
This month’s #builtheritage twitter chat focused on preservation and the holidays. There was an abundance of good festive promotion ideas, examples of seasonal events, and
First portion of the chat focused on the question, How can you use the holidays to promote your historic site? Some of the proposed activities included:
- Displaying old holiday photos on site or on social media
- Holding seasonally themed events -teas, crafts, tours, etc
- Holiday snacks!
- Holiday theater stage at the heritage site, eg. the Christmas Carol
- Combine with other local events your activities with other local holiday events
- For example, the distillery district in Toronto christmas market, draws thousands
- Watson’s Mill in Ottawa hosted a Christmas Fair and Art Show this past wknd.
- As a backdrop to other heritage events, or as a venue for private holiday functions
- Family ornament decorating activities
Second question of the chat, what is the most successful holiday program you have been to/organized at an historic site? Favourites included:
Third segment of the chat dealt with, How can we encourage people to shop locally in historic main streets?
- Combine moonlight madness with other activities such as skating, caroling, etc.
- Hold a Christmas festival downtown, and encourage all shops to decorate windows
- The main streets are just perfect for decorating – light it up!
- Provide more parking
- Ask the community what they want
The chat concluded with a discussion of How do you make sure your holiday activities are as inclusive (and/or multicultural) as possible?
- Heritage groups, municipalities should encourage all constituencies to celebrate their holiday traditions.
- Having personalized items that can be customizable for any holiday
- The new inclusive is to do lots of niche activities
- Let the historic places speak for themselves. The best places evolve and change with the times if we let them
There was also some discussion about what topics participants would like to see in the 2012 #builtheritage chats. Some suggestions included focusing on main street design issues, preservation 2.0, or the integration of youth in heritage groups.
|Tree of books
It’s that time of year where many of us are scrambling to find the perfect gift for a loved one. Recently, a number of blogs and organizations have been posting gift suggestions for the heritage lovers in your life. Some of my favourite posted so far, include:
Additionally, any of the heritage aficionados I know would love:
Photo credit: flickr (shawncalhoun)
The Legacy Project began in 2004 with Karl Pillemer Professor at Cornell University. Pillemer began by collecting ‘practical’ advice from elderly people in America by having them answer “What are the most important lessons you have learned over the course of your life?” This initiative resulted in over 1500 people over 70 years old describing their personal life lessons and experiences.
The main portion of Legacy Project site is a ‘browse by life lesson type’ section. This portion of the site includes textual transcripts of elders descriptions of important lessons. The Legacy Project also has a YouTube channel where video versions of the talks with some the elders interviewed can be watched. I wish the site included more video or audio content, reading the transcripts is interesting but doesn’t provide the same dimension as video.
What initially drew me to this project was no where in it does Karl Pillemer discuss the fact that he is essentially undertaking an oral history project. Pillmer focused more on the present day applications of the knowledge provided by the interviewed persons. The appeal from a historical stand point of these modern day applications of oral history is that they have the potential to almost ‘trick’ the general public into take a glimpse into the past.
It’s that time of year, Christmas merchandise has already started to fill the malls, and the beginning of the commercial holiday season is looming ever closer. In the heritage field a lot of organizations are beginning to plan and develop exhibits and activities that coincide with the upcoming holidays.
As a child, one of my favourite holiday related exhibits was put on by the Dufferin County Museum and Archives. It focused on old toys and games. I remember thinking it was like seeing a window into the holidays off the past. A lot of museums and archives use the holiday season to display items from their collection relating to the holidays, winter, and seasonal celebrations.
Many heritage organizations also use the holidays to their advantage by holding fundraisers and seasonal workshops. Bake sales, wreath making tutorials, Christmas teas, food drives, and craft/art shows are some of the common fundraisers. Heritage house and light tours are also often undertaken during the holiday season.
What are some of your heritage holiday memories? What is your institution doing in preparation for the upcoming holiday season?
Photo Credit: sickofstatistics
My most recent post can be see over at the Active History group blog. The post focuses on conference and workshop planning strategies for heritage organizations.
I recently came across the Museum of Online Museums (MoOM) site. The site is one of the initiatives undertaken by Coudal Partners, a company focused on design, web publishing, advertising, and commerce. Sadly the site isn’t useful as a searchable database of museum exhibits and it is a bit awkward to navigate. However, it does provide an interesting look at a seemingly random collection of online “museum” exhibits. Note: Museum has been placed in quotes as the site uses the term museum very loosely and includes links to exhibits from personal collections.
The main feature of MoOM is an aggregate list site of museums with online exhibits and virtual exhibits. The Museum Campus portion of the site highlights some of the more well known museums (eg. Smithsonian, MoMA, and the Virtual Museum of Canada) which have an online presence. This list in an interesting mixture of institutions and it’s not entirely clear what criteria an institution must meet to be placed on the list.
The site also includes a section devoted to interesting small collections and galleries. The majority of these exhibits are hosted on personal websites and are not affiliated with a heritage organization. For the most part this Galleries, Exhibits, and Shows portion of the site focuses on personal collections not on museums. Some of the more interesting collections currently in this section include: the Library of Dust, The Tiny Pineapple Nurse Book Collection, the Matchbook Registry, and the advertising gallery Found in Mom’s Basement.
Although I didn’t find the Museums of Online Museums site horribly useful from a heritage professional or educational standpoint, the site did provide an interesting look at what people outside of the heritage field consider to be museums or collections.
Language is one of the most commonly used means of expression. A language speaks volumes about the culture that developed it. Despite the value society places on language, there are a number of Aboriginal languages in Canada which are in risk of dying off within a generation. The impact of the residential school system and the Canadian government’s policy of assimilation played a major role in the loss Aboriginal language. By removing children from their communities and forcing them to speak English multiple generations of Indigenous people have lost their traditional language.
A recent segment on Spark discussed the use of digital translators in Inuit communities as a means of teaching dying languages to youth. The digital translator discussed was Phraselator. Phraselator allows language speakers to record as many phrases and words as possible and then their students can listen access these recordings as necessary. At five thousand dollars each and given the fact that the Phraselator cannot compare to being exposed to an actual native speaker, the device seems like a poor solution.
Despite the drawbacks of this particular digital translator’s implementation, it is crucial that we begin some form of language preservation. This may include educational incentives for those wishing to learn a language or preserving both written and recorded language alongside accurate translations. The use of digital recordings, transcription, and OCR software all have potential to be adapted to help preserve Indigenous language and teach a new generation the language.